Anne, wearing a white dress, with her eyes closed and her right hand reaching up to Wentworth's stubbly face. Wenworth, in his blue with gold buttons Naval uniform, his lips just touching Anne's forehead. It says PERSUASION across the middle of the image. Sparse blades of grass are along the bottom.

PERSUASION (2022): Call Me a Heathen, But I Didn’t Hate It

Allow me a moment to hoist up my petticoats before I wade on into the controversy surrounding Persuasion—Netflix's most recent Jane Austen adaptation—by saying that I didn't hate it. Go ahead, call me a heathen, but I'm generally not a purist when it comes to period pieces and enjoy the inclusion of a little camp, … Continue reading PERSUASION (2022): Call Me a Heathen, But I Didn’t Hate It

Against a green floor with a yellow line down the middle, there are similar ornate rugs on either side of the line. An older, well-dressed woman is lying on each side of the line, reaching across grabbing the woman by the hair and screaming. In red font at the top: THE BEST FAMILIES A film by JAVIER FUENTES-LEON. At the bottom of the poster: FAMILY CAN BE A BATTLEFIELD.

LAS MEJORES FAMILIAS (THE BEST FAMILIES) (2020): A Deliciously Dark Comedy

Is there a word specifically for stumbling across a movie that delights you in wholly unexpected ways? If not, we should coin one. Then, I would immediately apply it to Las Mejores Familias (The Best Families)—a black comedy about the upheaval that ensues when two intertwined upper-class Peruvian families unearth decades old secrets at a … Continue reading LAS MEJORES FAMILIAS (THE BEST FAMILIES) (2020): A Deliciously Dark Comedy

Olivia, in an off the shoulder form fitting white dress, stands in profile on the red carpet as she cradles Antonio's face in her hands. He is wearing black pants, a white button down, and his blue Valet vest. He's looking over his shoulder so that the white VALET letters are clearly visible. Behind them is a red rope cordoning off the reporters with flashing cameras. Above it says EUGENIO DERBEZ SAMARA WEAVING HUHLU THE VALET: NEVER JUDGE A COUPLE BY THEIR COVER

Review: THE VALET (2022) Has Comedy, Chisme, and Quite A Bit of Commentary

You can trust that people are going to get all excited about how The Valet "breaks the rom-com mold" and "doesn't use the same old rom-com tropes," and is therefore just so much better and smarter and funnier. They need to settle down because this movie, which is pretty fun and funny, does rely on … Continue reading Review: THE VALET (2022) Has Comedy, Chisme, and Quite A Bit of Commentary

Eli and Auden standing on a beach at night looking at each other while fireworks explode in the sky. Along for the Ride A Netflix Film is in white letters in the sky. "Tomorrow Begins Tonight." is in the lower left corner.

Review: I’m Glad I Went ALONG FOR THE RIDE (2022)

If you're a fan of coming-of-age stories and you like your romances without the usual mountains of misogyny then you should probably hop on board for Along for the Ride. No, it's not as winsome as To All the Boys I've Loved Before, to which it will inevitably be compared because Sofia Alvarez is the … Continue reading Review: I’m Glad I Went ALONG FOR THE RIDE (2022)